Hispano Suiza with a stunning dual cowl phaeton, bodied by D’Iteren Freres is one of the prize cars of the San Francisco Academy of Art.
Story by Brandes Elitch, Photos by Petya Elitch..
Riddle me this. One of the greatest car collections in the world is private, not open to the public, and yet you can see it whenever you want, any time of day. There are over eighty fully restored cars, primarily big prewar Classics: Auburn, Cord, Duesenberg, Packard, Cadillac, Pierce Arrow, Rolls, Delage, Hispano, Lincoln, and more. Moreover, thousands of people see these cars every day. Can you answer this riddle?
Try this: the collection is owned by the San Francisco Academy of Art (www.academyart.edu) – the largest art and design school in the US, with over 13,000 students. It was founded in 1929 by Richard Stephens, originally to teach advertising art. The school’s business model is to have established professionals as teachers, to teach future professionals. In 1951, the second generation took over, another Richard Stephens, but with a different middle initial, and the collection is the work of that Mr. Stephens, who is now 84 years old, and still acquiring cars. It is safe to say that he has exquisite taste in car collecting, as you might expect from someone who has devoted his life to the arts. The cars are located in the showroom of an old car dealership, originally J.E. French Dodge and Plymouth, on the corner of Van Ness and Washington, the old “Auto Row” in downtown San Francisco. Anyone walking or driving down Van Ness can see at least half of the cars in the front or side window. And even a casual observer would be stopped in his tracks, if they had even the slightest interest in cars. The first time I drove by on Van Ness, hurrying to a meeting, I almost locked my brakes when I absent-mindedly glanced to my right and saw 20 huge grilles in the window.
The D’Iteren Freres was a Belgian company. Chassis from over a hundred 100 brands, of which Impéria, Minerva, Panhard, Renault, Peugeot, Delahaye, Mercedes and Hispano Suiza, were bodied by D’Ieteren. They built about 6000 coachworks in total before the Great Depression put an end to coachbuilding activities. For more information be sure to go to Coachbuild.com.
The Academy is fully accredited by the prestigious Western Association of Schools and Colleges, and grants both undergraduate and graduate degrees, including one from the School of Industrial Design, which teaches, among other things, automotive design. Imagine: you are a student, working on a clay model of your car-term project, and you are looking for inspiration. You can go downstairs, and study a 1938 Delage D8 pillarless coupe by Letourner et Marchand, restored to better-than-new condition, or perhaps the Pierce Arrow factory coupe modeled on the fabulous Silver Arrow cars. If that wouldn’t break a creative logjam, I don’t know what would.
The collection reflects the personal taste of Mr. Stephens, who grew up in the Depression and dreamed about these cars when they were new. He buys what appeals to his artist’s eye. Since he grew up in San Francisco, he probably didn’t see a lot of foreign cars in his neighborhood during this period. Hence, there are only a few foreign cars and no Italian ones! We focused on the aforementioned Delage and an Hispano dual cowl phaeton, bodied by D’Iteren Freres.
Chauffer not required but why not. Hispanos were and remain one of the truly great luxury cars ever built. Financiing came from Spain, the designer was a Swiss, Marc Birkigt, hence the name Hispano Suiza. Some 6000 were built in Spain and anther 2600 were built in the French factory in Paris.
When you see a collection of this quality, it is overwhelming. We spent 90 minutes there, which works out to about a minute per car, and of course you could spend a whole day on just one car. The curator makes it a point to support the local Bay Area car shows by supplying entries, and occasionally opens the collection to local car clubs (I was invited as a member of the local Alfa club). If you are visiting San Francisco, it would be worth a trip up Van Ness to look in the window. You’ll never see a showroom window like this again, and as a local car dealer might say, “I guarantee it!”
The Academy recently acquired this rare Delage, one of the Aerodynamic Pillarless coupes of the mid 1930s.
French curves in every direction, but everything works, blending many elements into a smooth harmony of flowing nature-like lines.
Interior is impressive with the engine turned dashboard. The Cotal gearbox is not a pre-selector box, it is an epicyclic box which uses electo-magnetic discs to engage the desired gear set.
The 4744cc straight eight produced between 115 and 142 hp.
Anton Krivanek says
D’Iteren Freres is still very much alive today, run by Roland D’Iteren. They built bodies for Porsche in the ’50s and ’60s and custom sports bodies on VW chassis in the same era.
They are still involved in coachbuilding with a facility in Tours, France where they can, and do, build and restore bodies typical of the great coachbuilders of pre-WW2 France.
Anton
Koen De Wit says
Last summer we made a 3-week trip trough California an de South-West. The last day I drove on Van Ness in SF, and spotted a most incredible view, dozens of the most beautifull Classics in closely packed rows.
I’ve been wondering ever since what they were doing there, as the place was closed.
Now I know. If you get a chance, go and take a look!
Koen De Wit says
Driving down Van Ness last summer, I spotted the cars in the showroom. I later came back to have a better look, but couldn’t figure out what they were doing there. Now I know. Pity there was no way to get a closer look.
Thanks for the article.
David Seibert says
I’ve driven up Van Ness several times, heading to the airport from Sears Point, and each time been stunned by this building. It’s a true time warp: lovely old building, stunning old cars, and no sign of any sort. (And, being San Francisco, pedestrians totally ignoring the building and its contents of dirty, stinkin’ pollutin’ cars….)
After my last time past the building I finally spend some serious time with Google, and turned up the story of the building, the cars, and the Art Academy, a controversial subject in the area.
Thank you, Pete, for bringing this fascinating collection to a wider audience.
Steve H says
My brother was in SF this past week and just sent me an email about the collection lamenting the fact he couldn’t get inside to view it and take photos for me. I’m a 36-year collector car enthusiast. Are there photos posted of the collection anywhere on the net or available otherwise? Seems a shame not to share at least photos of the collection with enthusiasts such as myself. Please, anyone post their answers to my question. Thanks much! Steve