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A History of Concept Cars

March 21, 2013 By pete

Following our recent article on today’s concept cars and designers, Gijsbert-Paul Berk begins a new series of historical articles that will convey the history of dream and show cars and examine which concept cars or design studies influenced the shapes of our automobiles. Below, three interesting and legendary fashions that helped set styling trends.

By Gijsbert-Paul Berk

Breaking Away
Concept cars, dream cars, or show cars by any name are not by any means new. Historically, dream cars are outrageous, crowd-pleasers and often trend-setters. The story of the dream car begins in 1896 as the French made a concentrated effort to make the new motor car look less like ‘horseless carriages’. In general, the design and construction of automobile bodies was the work of coachbuilders, who only a few years before, had built the horse-drawn carriages. This similarity sometimes caused confusion and irritated a number of people.

This was one of the reasons why the well-known Parisian department store “Le Louvre” organized a competition for ideas for the coachwork of ‘modern’ motor cars in 1896. The contest was open to all kinds of artists such as painters and sculptors but also to architects and coachbuilders. The prizewinning entry was a scale model made from wax, cardboard and glass by Pierre Selmersheim, an architect and furniture designer. As can be seen from the competition, the Selmersheim design was fairly radical and advanced for the era. A photo of it was widely publicized in the French newspapers and European motoring magazines. But none of the many French coachbuilders was interested in building it.


These drawings are additional entries in the competition. It is easy to see why the Selmersheim design in the lead photo above, won.

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Tagged With: concept car history, dream car history, dream cars, history of concept cars, history of dream cars, show car history, show cars

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March 14, 2013 By pete

denise mccluggage

Our Features This Week, March 14, 2013

March 14, 2013 By pete

Making People Dream: Design Chiefs Discuss Concept Cars

March 14, 2013 By pete

2009-Renault-DeZir

Top Design Chiefs Discuss Concept Cars

By Gijsbert-Paul Berk

Concept cars; one sees them today at every international Motor Show. Earlier this year there was even a special exhibition of both concept cars and concept motor bikes in Paris, as part of the 28th Festival International d’Automobile.

Over the years it has become a tradition that a number of leading car manufacturers and famous design studios show their vision for the future at major cars shows. Some of these concepts are far-fetched fantasies, with details – such as door constructions – that are impossible to realize in economical mass production, or use materials that are either too expensive or otherwise unsuitable. Others are more realistic reflections of how some models of the next generation will look.

During the 20th century, the construction and style of automobiles evolved quite dramatically. The dreamcars, or showcars certainly added interest and excitement to the various Exhibitions or Concourses d’Elegance. But in today’s world, is there a future for concept cars?

Today, however, the automobile is a fully mature consumer product. Creating concept cars is an expensive endeavor. And aside from the haute couture fashion houses, no other industry presents products which are not yet for sale. Cars are, after all, merely appliances. One wonders why the industry continues to spend huge amounts on concept cars that the visitors cannot buy. Why create demand for models that are not yet and indeed may never be in the showrooms?

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Tagged With: bmw, BMW design, bwm concept cars, car design, concept cars, karim habib, renault concept cars, renualt, showcars, van den Acker

Microcosms from Gauld and Wyss

March 14, 2013 By pete

Gauld recalls his Heinkel days, Wyss finds a Isetta Convertible

By Graham Gauld

I was recently reminded of a very special trip I made to Modena back in 1958. The reminder was the RM Auction held recently which featured the multitude of microcars that Bruce Weiner had collected and showed in his Microcar Museum in Madison, Georgia.

There have been many microcars built in the history of the automobile but in mid-1950s in Europe they became very popular during the Suez Canal Crisis in 1956. [Read more…] about Microcosms from Gauld and Wyss

Tagged With: bmw isetta, bubble cars, darmont cyclecar, Graham Gauld, heinkel bubble car, isetta, three wheelers, wallace wyss

A Look at Today’s Concept Cars

March 14, 2013 By pete

One of the highlights of this year's Geneva Auto Show is the 2013 Ferrari Pininfarina Sergio Concept, a design exercise built to pay tribute to the to late Sergio Pininfarina, who passed away last year. The 2013 Pininfarina Sergio is a realistic concept that could easily be produced in limited series, It is only 1,140 m high, 1,94 m wide, 4,55 m long and weighs 1280 kg. It offers real sports performance, with acceleration from 0-100 km/h estimated at below 3.4 seconds and a top speed of around 320 km. Click for YouTube.

By Gijsbert-Paul Berk

Ferrari Sergio Concept Car

The Ferrari Sergio Concept is a windscreen-less open two-seater sports car (Barchetta). Its mechanicals are those of a Ferrari 458 Spider. Thus the concept car has the same wheelbase and tracks and is also powered by a 4.5L V8, mated to a seven-speed sequential gear box.
[Read more…] about A Look at Today’s Concept Cars

Tagged With: alfa romeo concept cars, bertone nuccio, brivido, concept cars, Opel RAK e, peugeot onyx, pininfarina sergio, show cars, vintech p550

Our Features This Week, March 7th 2012

March 7, 2013 By pete

Clipsal 500, Adelaide S. Australia, February 28-March 3

March 7, 2013 By pete

Justin McMillan's Lamborghini LP60 GT3, Brenton Griguol's Ferrari 360 Challenge, race 2 turn 7.

Story by Vince Johnson
Photos by Vince Johnson unless otherwise noted.

The traditional Aussie V8 Supercar duel between Holden and Ford gets underway each season after the summer break around the streets of the South Australian capital. This year, however, there were two new makes on the grid intent on sharing the spoils. Nissan Motorsport fielded four Altimas powered by the same V8 that took victory in the 2011 FIA GT1 World Championship, while Erebus Motorsport had a pair of Mercedes-Benz E63AMGs ready to take on the home-grown favourites.
[Read more…] about Clipsal 500, Adelaide S. Australia, February 28-March 3

Tagged With: australian racing, clipsal 2013, clipsal 500, clipsal racing, racing in australia, vince johnson

Talbot-Lago Grand Sport Book Review

March 5, 2013 By pete

Click here for details and to order from Dalton Watson

Reveiw by Pete Vack

The “Talbot-Lago Grand Sport” arrived in a very heavy box, and like a Russian matryoshka doll, this was opened to find a luxurious 14.5 x 9.5 x 3.5 inch carrying case with handle, profusely illustrated with the cover material printed in full color. That in turn opened to reveal an even more luxurious 13 x 9 x 3 inch slipcover, which in turn harbored a slick, high quality two-volume set of the “Talbot-Lago Grand Sport”. Standard volumes are $350, with a limited number (600) of copies. Leather bound editions are $650 and only 100 copies.

We are sure most of our readers are aware of this line of Talbot-Lago cars, called Grand Sports. They can be seen occasionally at auctions, major concours, in select museums, and at important retro events. But such sightings are rare, fleeting, scattered throughout time and space, never allowing one to grasp the meaning, numbers or depth of the species. Most knowledgeable enthusiasts could probably not put forth a useful definition of the Talbot-Lago Grand Sport, much less recite how many were built, coachbuilders, where they are today and what they look like. Even co-author Peter Larsen, in the introduction, had to explain that the book was specifically about the Talbot-Lago Grand Sport, a rare model which did not include the more famous pre-war Figoni et Falaschi teardrop coupes based on the T150SS chassis.

MYSTERY CARS
The amount of information available about the Talbot-Lago Grand Sport (TLGS) is truly meager and as scattered as the appearance of the cars themselves. The Grand Sport model was not acknowledged in the original Georgano Encyclopedia, completely overlooked in William Stobb’s “Les Grandes Routieres”, mentioned only briefly in an excellent article on the automobiles of Tony Lago in “Automobile Quarterly’s” V23 No 4. An Internet search will reveal images and videos of several of the cars, some good information from our friends at Coachbuild.com and some auction company information, but all scattered and incomplete. Wiki is notably short on the Grand Sport. The bibliography in the “Grand Sport” book lists six books – most in French – that pertain directly to Talbot-Lago, and that’s probably pushing it. In short, there is not much out there.
That’s precisely what makes the Peter Larsen/ Ben Erickson “The Talbot-Lago Grand Sport” so interesting, valuable, entertaining, informative, necessary, compelling, and a thrill to read. For the first time, the Talbot-Lago Grand Sports have been tracked down, gathered, defined, explained, photographed and detailed, chassis by chassis. It is overwhelmingly new and fresh information. Many of the cars have not been seen in years; a few are in private collections unknown even to the authors; some – though very few – have just disappeared, and most are now and have been kept in Europe.

WHAT IS A GRAND SPORT
The Grand Sports were Tony Lagos’ supercars, the top of a very expensive line. Based on the pre-war Grand Prix chassis (with a 2.65 meter wheelbase and later 2.80 meter) they were given coachwork by Figoni, Saoutchik, Dubos, Franay, Graber. The T26 was virtually the same 4.5 liter Marchetti-designed hemi-head used in the Grand Prix Talbots of the era, minus the aluminum block, dry sump oil system and with different carburation, most using 3 Zenith carbs. This resulted in the most powerful French road car built at the time, with at least 190 horsepower on tap. The Wilson preselector gearbox was the same unit as used in the race cars as well. The chassis consisted of massive steel girders, independent front suspension via transverse leaf spring, and a live rear axle under the frame located by leaf springs. It was archaic but light. A huge 120 liter fuel tank meant long periods without stops but little space left for luggage. In a very real sense, a road-going GP car. Larsen figures that from 1947 to about 1950, between 29 and 35 Grand Sports were built on both 2.65 and 2.80 meter wheelbases.
With coachwork more art than automotive, the Grand Sport, as the book’s PR would have it, was “chic, ritzy, aristocratic with a superb pedigree that gave it instant admission to the elite gatherings at races and concours, no questions asked”. The coachwork that graced the Grand Sport chassis ranges from the bizarre and odd, to beautiful and advanced, from lithe racing barchettas to svelte coupes. Each is unique, most are stunning.

LAGO RECORD VS GRAND SPORT
Allow us to digress for the benefit of our very astute readers who may wonder about the difference between the Grand Sport and the more common Lago Record: In the post-war era, the Talbot-Lago line consisted of the 6 cylinder T26 Record and Grand Sport, and the 4 cylinder Talbot-Lago “Baby”. The normal T26 Record used the same engine as the Grand Sport but produced 170 hp, using only two Zeniths. The Record chassis was much longer at 3.12 meters; the weight was 1280 Kg. As a post-war design, the Record feature coil spring independent front suspension. However, Lago’s goal for the Grand Sport model was to use whatever resources at hand to quickly create a lightweight high-performance chassis at low cost, hence the use of the pre-war GP chassis. It was 47 cm shorter and 430 Kg lighter than the new Lago Record. That the GP chassis made use of a transverse-spring front suspension was perhaps a necessary compromise. While it was seemingly a retrograde step, it made sense and Lago figured he could market it as a “perfected road car chassis, which has much of the power, road holding and strength of my Grand Prix racing machines.”

A NECESSARY OPUS
In the realm of French and Italian cars, we can only compare this new work to Christian Huet’s book on Gordini (in French only) and Simon Moore’s Alfa Romeo 2.9 and 2.3 volumes. In many respects, though it covers fewer individual chassis, the TLGS does it better, making use of more outstanding color photography as well as historical black and white images, complemented by outstanding layout and presentation. Like Moore and Huet, Larsen and Erickson are relentless detectives, tracing each car as far as possible from its birth to the present day. In most cases, where and whenever possible, the authors consult with the current owners and provide photos of the cars as they appear at time of publication. This with a considerable amount of historic images in both color and black and white, leaving little left to wonder.

Like Moore, they are not professional writers per say and at times the text can annoy. But any such annoyances are readily tossed aside as the full impact of the material presented simply blows one away. Perhaps unfairly, but in light of the overall magnificence, we care less if a rare word (“bespoke”) is over-used, or if certain peculiarities are repeated (on six different occasions calling Coatalen to task for spending too much on racing). Written off is a mistake attributing Rocco Motta as the coachbuilder for the Renault/Marquis (read story). Tony Lago was perhaps a bit less than the authors admit. More information about the post-war Talbot line and less about the Pons plan would have been nice. This ain’t Shakespeare, but it is a breathtaking revelation of the most hidden, most outlandish, most artistic, and often the most beautiful cars on earth.

VOLUME 1
While Moore dealt with a very well-known subject matter, the team of Larsen/Erickson knew that they would have to set the scene for the actual serial number saga. Volume 1 includes a fairly in depth history of the S-T-D year but focuses on the story of Tony Lago, his triumphs and repeated problems trying to keep his firm alive and solvent while he upheld the honor of France on the race tracks and the Paris salons. The authors have done their research here, bringing in new facts about the life and death of Talbot, the heartbreaking bankruptcies, the mistakes and the competition, but alas, no one yet knows much about the private life of Tony Lago.
Technically, there is a chapter on the history and workings of the Wilson pre-selector gearbox, the chassis, and yet another about engines that would power the fabled Grand Sports. They are not in great depth, but enough to garner a good understanding of the components. The chapter on the Wilson gearbox was most welcome.
Much to our delight, Volume 1 also contains fairly substantial histories of the coachbuilders that clothed the Grand Sports. How much do you know about Dubos, Antem, Besset, Pennock, and Contamin? Altogether the authors found eighteen different coachbuilders and/or designers responsible for the Grand Sport bodies. Each one is given a chapter. Only Farina, Saoutchik, Graber and Motto were familiar to this reviewer in any depth.
Alas, nowhere in Volume 1 is there good photos of any of the 35 plus cars that are described in Volume 2! The authors wanted to save the subject shots for the second volume. At first this was rather annoying, as there were plenty of references to the Grand Sport series. Then I (egad, pardon my first person here!) decided to go with the flow. I carefully digested Volume 1’s 238 pages, while absolutely refusing to even open the cover of the larger, heavier 407 page Volume 2, which I knew consisted of all the chassis numbers. Something told me I’d be into something good.

THE TREASURES IN VOLUME 2
Admittedly, not jumping into Volume 2 takes some self-discipline, but it was worth it. For every night I would discover a new and interesting if not bizarre car which I had never before or rarely seen. Or seen only in grainy Road & Track photographs, or in photos take in the poor light of museums or obstructed by asses and elbows of the concours field. But here they all were in both color and historic images, almost large that life, with details and histories. Each chapter was to be saved and savored, each one a treasure, even to one who is admittedly pretty jaded in terms of automobilia by now.
This leads to a problem; one can be devastated when the last of the 648 pages are turned, the last car unveiled, the last morsel tasted.
This is a huge book, an important book, and a superb effort, well worth the money. The price of entry is mitigated by the high probability that it is an investment which will grow in value.
In the next few weeks, we’ll give you further insights and previews of a few of the Talbot-Lago Grand Sports. Yeah, you too, can wait!

Tagged With: dalton watson, French luxury cars, Talbot, talbot grand sport, talbot lago

February 28, 2013 By pete

https://velocetoday.com/45724/

Our Features This Week, February 28, 2013

February 28, 2013 By pete

Of note: Recently, an idea to get young people interested in our hobby has come to our attention. Click on the icon to read about the Little Red Racing Car Project. We recommend watching the short video which is fun, and spells out the entire plan.

At Last: Online Racing Documentaries for the Enthusiast

February 28, 2013 By pete

Above, Rick Rawlins, left and Host Harold Osmer at work on a new documentary.

By Pete Vack

We recently received an email inviting us to watch a new video presentation. Noticing the Harry Miller-Indy 1914 Peugeot connection we thought we’d better pay it some attention.

We are glad we did, for this is not your grandson’s YouTube. Forget YouTube. The videos presented on the site, “Where They Raced“ are right up our alley. The Peugeot episode, “The Holy Grail”, is the story of the seminal 1914 Grand Prix Peugeot and is an excellent, professionally produced, historical documentary that could well have been moderated by Griff Borgeson himself (here Rick Rawlins did the MC work). And just as good was a previous episode, Speed Demons in the City of Los Angeles, was done so well ala Ken Burns, that we were blown away. These are not one time flukes; there are three episodes so far and more are added weekly.
[Read more…] about At Last: Online Racing Documentaries for the Enthusiast

Tagged With: harry pallenberg, miller offy miller indy, peugeot indy, racecar videos, racing documentaries, where they raced

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