Story and photos by Allen R. Kuhn
By late 1956 I was really getting into the swing of what and how to shoot, for example Ferrari, particularly the sports racers. But I didn’t know was there would still be a great interest in these cars 40 years later. If I had known that I would have had much different shooting technique. The most important change would have been to use a lot more film.
Shoot the pits on Saturday and the track on Sundays; spend the $6 for a motel room; don’t forget the backmarkers. Their families will love to see them when they were racing. A lot of drivers never took pictures when they were driving.
For example, in 2003 I got a phone call from a guy named Thomas Jones. He said he knew it would be a long shot, but he found my website, and wondered if by chance would I have a picture of him at Torrey Pines on January 15, 1956. This was my second race and I shot up a whole roll of 36 exposure B & W film. He said he drove a Kurtis Mercury with #197. Knowing the negs fairly well be then, I said that I knew I had his picture. The phone went dead for a bit, and when he came back on the line, I could hear is voice had a slight tremble. I was delighted to hear that he wanted to show his grandkids a picture of him when he raced. Makes life worth living, doesn’t it?
1956
1957
My quintessential racing image came on December 8, 1957, at Paramount Ranch in the green (OK, so mostly brown) rolling hills in Agoura Hills, California. The Ranch was once owned by Paramount Studios and now is run by the National Parks Service, that is what is left of it. The Woolsey fire of 2018 destroyed 1,600 structures in all, and covered over 97,000 acres. The Western Town situated in the center of the course was completely destroyed, except for the little white church. A lot of the original asphalt of the track is still intact, albeit a little the worse for wear. Paramount was a Porsche Spyder-friendly circuit due to its eleven tight turns and short ¾ or ½ mile straight, depending on who you talk to. It also had its signature “Bridge” with an underpass between Turn 2 and 3, again depending on who is laying out the turn numbers.
1958
Should you be interested in obtaining any of these images or looking at our website with 350 more images, check it out: www.vintage-sportscar-photos.com.
Mike Martin says
Thank you for another wonderful article about Allen’s years taking photos at races. The photos are lovely and the text is fun to read.
Chuck Drowne says
Great pictures and comments Allen. Must feel mighty good to bring your past to the present. It was obvious you enjoyed yourself.
Tom Young says
A lot of history would have been lost without Allen. Little did he know that as a young man, he would create a wonderful legacy by allowing future generations to learn from his efforts in capturing important moments in history.