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A Photographer’s Life: Resurgence

January 17, 2022 By pete

After a generation had passed, Allen and Carole were suddenly selling the old prints from 1955 to 1965. Photo by Lisa K. Kuhn

Read Part 1 Though my shooting days of sports car racing were over I would keep the negatives; no photographer would ever get rid of his work. I secured an empty Kodak 250 sheet 8×10 Polycontrast III RC F Glossy Paper Box to store the negatives in. I hermetically sealed the box and put it in a secure dry-walled cabinet in my garage for storage. They did not see the glare of an enlarger bulb for the next 35 years.

Story by Allen R. Kuhn

It was on September 20, 1998, that Carole and I went to a vintage sports car race in Tustin, California. This was the first time we had seen sports cars turn their wheels in earnest. I took some 8×10 prints along just in case we saw some of the same cars again. Sure enough, we saw some. I actually (cough, cough) gave a few guys prints. (I always get choked up when I use the “G” word, GAVE). Gave is a NO, NO, Dan Gurney once told me. Carole saw someone who had a booth about a sports car magazine, Vintage Race Car Journal . She wanted me to go and show him my photos. That’s where I met Casey Annis.

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Tagged With: Allen R. Kuhn photography, bill warner, Bob Oker in a Maserati 150S, california racing photography, cars of jim clark, DanGurney, dario Franchitti, jim clark, Ken Mile's Sunbeam Tiger, mario andretti, Model photography, racing photography

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