By Clyde Berryman
Photos by Gulay Berryman unless otherwise noted
No photos please
Massimo squires us out a back door and we take a few steps in the green grass and dew outside before approaching another building. He puts an upraised finger to his lips, implying we need to be extra quiet in here. No photographs either, please. My antennae go up. At last, I assume this is where the real “secrets” to Minardi’s performances must be kept! And as it turns out, this guess is probably not entirely off the mark.