The Online Magazine for Italian and French Classic Car Enthusiasts
Poster Boy: A shot taken of Whit Smith and his father in 1996 and used for this poster the following year.
Story by Sean Smith
From the VeloceToday Archives
After 18 years gone missing, Whit Smith finds his father’s Alfa racecar
It’s all Whit Smith’s mother’s fault. She and Whit’s dad met in Galion, Ohio. Pat was a local, Mason a New York city guy stuck in Ohio for work and a bit bored. The future Mrs. Smith spun tales of a race track just down the road at Mid-Ohio; they went to check it out.
Letting loose in the Delage.
Story and photos by Jonathan Sharp
After missing 2020 for the usual reason, the London Classic Car show was back for 2021 and took place June 25 – 27. Not at the London Excel exhibition center as before, but in West London at Syon Park, and out in the open! [Read more…] about London Classic Car Show, 2021
Poster Boy: A shot taken of Whit Smith and his father in 1996 and used for this poster the following year.
Story by Sean Smith
After 18 years gone missing, Whit Smith finds his father’s Alfa racecar
It’s all Whit Smith’s mother’s fault. She and Whit’s dad met in Galion, Ohio. Pat was a local, Mason a New York city guy stuck in Ohio for work and a bit bored. The future Mrs. Smith spun tales of a race track just down the road at Mid-Ohio; they went to check it out.
Richard Stafferton’s TZ1 S/N 084 and John Winter’s Coda Tronca s/n 00195 and Oliver Collin’s round tail, s/n 00147, taken in Richard’s driveway in Toronto, 1978. See how many Alfas you can identify in Richard’s yard. Photo Oliver Collins collection.
By Pete Vack *
As early as the late 1960s, the Alfa enthusiast instinctively knew that of all the post war Alfas semi production cars, the Zagatos were the most desirable. Alfa Zagatos exemplified the era of the relatively inexpensive, coachbuilt GT car, as did the special bodied Ferraris, Maseratis, and Lancias.
They were also, for most part, aluminum, which beat the ever present rust problem associated with steel bodied cars of the era. Unlike the competition, Alfas were more numerous, less expensive and in general more reliable. They had mechanicals that could be understood, repaired and there were ample parts available. Another part of the lure of Alfas was that the 1300/1600 cars were a joy to drive; some, yes, underpowered, but all were fun and easy to drive. They were small, light, responsive and eager. Many were raced successfully at Le Mans, Sebring, and the Targa Florio.
Corrado Lopresto’s recent find as displayed last weekend at the Wilton Concours. Jonathan Sharp photo.
Story by Pete Vack
The world of the Internet will likely soon be filled with stories of a particular Alfa Romeo that served as the prototype for a new Alfa Zagato GT, one with a long tail, suddenly clipped off and called the “Coda Tronca”. And so we add to the hoopla, for of course the prototype Coda Tronca as found by the long time and truly enthusiastic Italian collector Corrado Lopresto and introduced at the Wilton Concours last weekend, (see related story) is an important find and a truly significant Alfa Romeo and Zagato. In Part 1 we’ll look at the use of the Kamm effect and why the Alfa SZ Coda Tronca was different.
Winter, 1960
As Ercole Spada would later recall, these were exciting times. In February 1960, The 22 year old ex-soldier, lacking any kind of formal training, had applied for a job at Zagato upon completion of his military service. He brought with him no portfolio, no sketches. But he loved to draw cars. “While my friends were stealing a peak into Playboy, I had my nose deeply into car magazines,” Spada recalled. Elio Zagato asked him if he had a driver’s licenses and could draw on a one to one scale. Spada said yes and Zagato hired him on the spot. Before Spada came onboard, Zagato didn’t have a chief designer. Cars just more or less happened. Life was simpler then.
Spada: the long story of a short tail.
The rounded shape of the production Alfa SZ 1300. Photo by Bartholomew.