ercole spada

Ercole Spada: One Step Beyond

August 11, 2025 By pete

1963 Lancia Flavia Sport Zagato. Ercole Spada: “I felt a real necessity to design something completely different.”

By Pete Vack

All quotes attributed to Ercole Spada are from Spada by Bart Lenaerts, Lies de Mol with Ercole and Paolo Spada.

As we reflect on the life of the late Ercole Spada, I realized that for a good part of my life, my primary automotive focus was on the cars built by Zagato. I wanted a Zagato because they were race cars, lightweight, didn’t rust, and often are Alfa-based and just as often, beautiful. They were in a class of their own, and stylistically a step beyond the normal.

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Outrageous car, Outrageous article

August 11, 2025 By pete

By Pete Vack

From the Archives, August 2011.
Scroll down to read the comments!!!

The brothers Zagato didn’t have a great deal of luck with Lancias.

The Appia Zagato was always too long and too little. Although somewhat successful in the Italian 1100cc events, the street version was underpowered and overwheelbased, and the 1100cc engine strained at anything like racing speeds. From the front it was attractive, but the side view and rear view failed to delight. From the same era, the Abarth, Alfa and the Bandini Zagatos (only one built), were far more pleasing to the eye.
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Coda Tronca: Fact and Fiction

June 9, 2015 By pete

Corrado Lopresto's recent find as displayed last weekend at the Wilton Concours. Sharp photo.

Corrado Lopresto’s recent find as displayed last weekend at the Wilton Concours. Jonathan Sharp photo.

Story by Pete Vack

The world of the Internet will likely soon be filled with stories of a particular Alfa Romeo that served as the prototype for a new Alfa Zagato GT, one with a long tail, suddenly clipped off and called the “Coda Tronca”. And so we add to the hoopla, for of course the prototype Coda Tronca as found by the long time and truly enthusiastic Italian collector Corrado Lopresto and introduced at the Wilton Concours last weekend, (see related story) is an important find and a truly significant Alfa Romeo and Zagato. In Part 1 we’ll look at the use of the Kamm effect and why the Alfa SZ Coda Tronca was different.

Winter, 1960

As Ercole Spada would later recall, these were exciting times. In February 1960, The 22 year old ex-soldier, lacking any kind of formal training, had applied for a job at Zagato upon completion of his military service. He brought with him no portfolio, no sketches. But he loved to draw cars. “While my friends were stealing a peak into Playboy, I had my nose deeply into car magazines,” Spada recalled. Elio Zagato asked him if he had a driver’s licenses and could draw on a one to one scale. Spada said yes and Zagato hired him on the spot. Before Spada came onboard, Zagato didn’t have a chief designer. Cars just more or less happened. Life was simpler then.

Spada: the long story of a short tail.

His first assignment was to design a body for Tony Crook’s Bristol 406S, which although high and narrow, was a great improvement over the earlier Zagato effort on the 406. Hot on the heels of the Bristol came the Aston Martin Zagato, and suddenly, with less than a year under his belt, Spada was if not famous, definitely had proven his worth. It was a story out of the dreams of thousands of boys, and Spada was living it.