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Above, original art, ‘Rendezvous with 458 Italia’ by Chad Glass.
By Stephen Mitchell
Artwork by Chad Glass
From the Archives, July 20, 2011
Would it be possible to recreate Claude Lelouch’s legendary film ‘Rendezvous?’ Director Stephen Mitchell thought so and he had plan. [Read more…] about Rendezvous in a Ferrari
Would it be possible to recreate Claude Lelouch's legendary film 'Rendezvous'? Director Stephen Mitchell would use a new Italia.. Original art, 'Rendezvous with 458 Italia' for VeloceToday by Chad Glass.
By Stephen Mitchell
Artwork by Chad Glass
French Translation follows English text
When Stephen Mitchell was recently introduced to VeloceToday by Wallace Wyss, he told us a bit about himself, mentioning Ferrari, film making, and Paris. We added this up and asked him his thoughts on, of course, Claude Lelouch’s film ‘Rendezvous’. Bingo!! We pressed the right button.
Mitchell was born and raised to have a Hollywood career–literally. A native of Los Angeles, he studied sound, cinematography and editing with department heads from CBS Cinema Center in Studio City, California where Steve McQueen had his Solar Productions. Working as an extra and in small speaking parts in Hollywood films, he practically lived on the set of the television series Mission: Impossible as a family friend directed many of the show’s episodes. Obviously a film career was in the making, but instead of Hollywood, Mitchell’s film career began in France. “I went to Paris because I saw a film by Claude Lelouch—“A Man and a Woman”. It showed me exactly the kind of film I wanted to be making and it wasn’t happening in Hollywood.” We’ll let Mitchell take it from here…
While my interest in films was already well established, strangely enough my passion for cars took root while I was recovering from a head-on collision on the Ventura Freeway. I wasn’t expected to live through the first night but, in the end, my father and I both survived. I read one Road & Track magazine after another, learning and becoming excited about Ferraris, Formula One and the incredible collection of personalities that populated those worlds. It was family friend and mentor Paul Stanley, the director who issued a standing invitation to visit the sets he worked on, who told me I should see A Man and a Woman. (1966) It had impressed him and he figured I would like it, too. That was an understatement. [Read more…] about Renedezvous Redux? Reflections on Claude Lelouch